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Mary Karr On Writing Memoirs: 'No Doubt I've Gotten A Million Things Wrong' Karr discusses the faults of memory, the challenges of writing about loved ones and the pain of deleting pages because there was something untrue about them. Originally broadcast Sept. Tutorials? 15, 2015. DAVE DAVIES, HOST: This is FRESH AIR. I'm Dave Davies, sitting in for Terry Gross. Mary Karr, is essay, best known for her three memoirs, The Liars' Club, Cherry and essay, Lit. She's credited with helping turn the memoir into a popular literary form. Help Write For Me? She's had plenty of writing essay material to work with. She grew up in East Texas.
Her mother, during a psychotic break, tried to kill her with a butcher knife. Her father was an oil worker and a gambler. A Song? Karr was twice abused by tutorials, pedophiles. And, like her mother, she became an alcoholic. Tools? After getting sober, to writing essay tutorials, her great surprise, she became a committed Catholic. But her memoirs are distinguished not just by the story she tells but by the quality of her writing. If dysfunction was all you needed to write a great memoir, she notes, most of us would've written great ones. In her book The Art Of Memoir, she reflects on the process of write for me writing personal stories. How do you know you can trust your memory?
How do you write about people you love without betraying them? And how do you find your authentic self and authentic voice? Terry spoke to writing essay, Karr last year. She's a professor of literature at Syracuse University and help write, has taught memoirs for over 30 years. The Art of writing essay Memoir is now out in write a song, paperback. (SOUNDBITE OF ARCHIVED BROADCAST) TERRY GROSS, HOST: Mary Karr, welcome back to essay, FRESH AIR.
It's really a pleasure to have you back on a song for me, the show. So I should ask you, why is your new book a book about memoirs instead of writing being another memoir? Although, I should say I would describe the book as a memoir about writing memoirs (laughter). MARY KARR: Well, it's partly that. You know, I'd been thinking about the genre for a long time. Philosophy? And in some odd way, even though it has this huge readership, I felt some lingering obligation to defend it. You know, it's such a low-rant form compared to, say, the novel. I mean, there's no danger of my being invited to writing, the American Academy, you know? KARR: It's just trashy. It's primitive. It's outsider art, sort of.
So - and in some strange way - I have loved the bibliography tools, form so long and so hard - and writing essay tutorials, I've taught about it for 30 years - that I felt some - I don't know - sense of cultural jury duty or something to type is langston hughes salvation, defend it. Writing Essay Tutorials? I'd read a lot of sort of what type is langston hughes - kind of lite - L-I-T-E - how-to-write-a-memoir books that I found offered all these great exercises or what writing teachers call prompts. And I was always terrible at those. When I was given a prompt, I always just wrote, I'm very sad - Mary Karr. KARR: You know, I just - it never prompted in me anything. Essay? So. GROSS: You have an interesting theory in philosophy, your book about writing, why memoirs have become so popular. And you could argue they've even become more popular than a lot of serious fiction.
So you want to share that theory with us? KARR: Yes. I mean, I think as fiction has become more hyper-intellectual or dystopic or unreal, I think people hungry for essay what is real, the real - for tutorials, real, lived experience - have been forced to migrate to what type of essay hughes, memoir. GROSS: So you started writing memoirs before our culture got as confessional as it's become, before the essay tutorials, word over-sharing (laughter) was coined. GROSS: So has that affected your standards of what is meant to be written about and philosophy, what is meant to maintain silence about? KARR: That's such a smart question.
Damn it, now I'm going to have to think. KARR: It's really. GROSS: Oh, I apologize for making you think (laughter). KARR: I really resent this, Terry. Essay Tutorials? I would rather it just bumble along. Has it changed? No.
I think I'm such a worrier and a nail-biter and a rethinker. I've always sent my manuscripts out to people I write about not because I'm afraid of landing all sweaty on Oprah but because I kind of homework help mistrust my own memories. Like, most sort of thinking people - you know, you'll defend your point of view at the Thanksgiving table, you know, vigorously. And then I'm that person who goes home and lies in writing essay, bed and thinks, did that really happen that way? So, you know what I have done?
I - with Cherry, I stopped putting things in quotation marks because I really wanted the bibliography, reader to continue to essay, understand or believe or think that he or she was in my head. You know, this is my point of type salvation view. Essay? It's not objective history. It's memory, which is a - you know, a faulty form in terms of reportage but which has the added advantage of showing my interior while something is essay competition, happening. Essay? So hopefully, a memoir shows lived experience, not surface reporting. GROSS: But do you find yourself exposing any more or less now that we have the the crucible critical, term over-sharing? KARR: I don't know. I mean, given - given what I wrote about in my first book, it would be hard to. KARR: You know, to essay tutorials, share more. KARR: I mean, I never talk about anybody's penis who was nice enough to sleep with me. KARR: I just wouldn't ever talk about tools, that.
I think they're nice enough to show it to me. I should keep it to myself. GROSS: (Laughter) You know, you talk about essay tutorials, how faulty memory is. You do this fascinating exercise with your memoir-writing class. And toward the beginning of essay what is real class - I want you to describe what you do.
KARR: Well, I - what I do is I stage a fight. Writing? And I only contrast essay teach this class every few years. So the writing essay tutorials, students don't see it coming. And it's a graduate seminar at Syracuse University. And we sift through, sometimes, a thousand applications for 12 students - so six in poetry and bibliography tools, six in fiction. So this is writing essay tutorials, a literature class, not a workshop. Tools? But these are young, very smart people who are very confident about their memories and mostly should be.
But I stage a fight, either with a colleague or with a student. And then I ask them to write what happened. GROSS: And they don't know it's staged. They think somebody else has come in and that you are fighting with them and something really terrible is writing essay, unfolding before their eyes. KARR: Yes. So if I have a fight with George Saunders, who's, you know, this nice, Buddhist, kind person.
KARR: . Who's, like, you know, kind for write a song, a living, it's interesting that no matter what I have him say and no matter what I do, people perceive me, say, as the writing, aggressor. They will see me. And the way that will manifest - it's not that they make up things I say or do. But even though he might advance across the room, and I might back up and say conciliatory things, they'll say things like she held her ground like a bulldog or she took steps back, but she was fierce. So, you know, it teaches them not - that we don't so much apprehend the world as we beam it from our eyeballs, you know? We. GROSS: Right. You have them write down what they saw after this. KARR: We have to.
GROSS: Staged fight. And everybody saw something different. They all - they contradict - one person's perceptions contradict another. KARR: And they all project whatever is going on what type hughes salvation, with them. For instance, often, I'll have a fight - or have the essay, person call several times at intervals of, say, 15 minutes before they enter the what of essay is langston hughes salvation, room.
So I make an tutorials, excuse for leaving my phone on. I don't - I don't answer my phone in class, however, you know, arrogant I might sound. So I say, I'm waiting for a call from homework a doctor. Writing Essay? I have to leave the phone on. Philosophy Essay What? And instead, this aggravating person I'm going to have the fight with continues to call. And most students resent my leaving the writing, phone on, except for my student who has a serious illness, a form of sickle cell anemia. Competition? And she has all this codependent concern for my health. And she feels really bad for writing essay, me.
So other people are annoyed by my self-centeredness or arrogance for leaving the phone on. And this one student takes her experience and critical essay, projects it onto me. A women who had had a stalker assumes that George and I, say, have been sleeping together and essay tutorials, that he's a stalker. Or, you know, it's also interesting that there are these - what I call these memory aces. There are these students - usually a musician or a poet. I had this wonderful kind of what type of essay is langston salvation New York party-throwing DJ kid. And he remembered every single line we each spoke. KARR: So there's no variation, no mistake in what he hears. And it's all in perfect order. And his perceptions - they're just these remarkable kids. Writing Essay? There's maybe one or two in every class.
At the end of essay competition what he wrote, he asked, I wonder what Mary had done to essay tutorials, make him do this to her. KARR: So it's like a no-win situation for homework compare essay, me. GROSS: So is this a humbling experience for your students, realizing that they've gotten a little or a lot totally wrong? KARR: It is humbling. And what I say is, you know, what you're supposed to do in writing essay tutorials, this class is learn the help a song, shape of yourself and learn what you do tend to project onto writing the landscape so you can kind of account for contrast essay, that tendency in yourself and question it as you're putting down your memories. GROSS: If you're just joining us, my guest is Mary Karr. Tutorials? And she is type of essay salvation, famous for her memoirs, The Liars' Club, Cherry and essay tutorials, Lit. Help Compare Contrast Essay? Now she's written a book about memoirs. Tutorials? And it's called The Art Of Memoir. Let's take a short break.
Then we'll talk some more. This is FRESH AIR. (SOUNDBITE OF MUSIC) GROSS: This is FRESH AIR. And if you're just joining us, my guest is Mary Karr. Critical? She's the author of the memoirs The Liars' Club, Cherry and Lit. Essay? Now she's written a book about memoirs and type of essay hughes salvation, about writing memoirs. And it's called The Art Of Memoir. Writing Tutorials? How do you make sure, in your writing, that you've gotten things right? KARR: Well, obviously, I don't.
I have no doubt that I've gotten a million things wrong and that someday, some cavalry of people will ride into my life and essay, say, this is essay tutorials, so much horse dookey, we can't even believe it. So I'm never sure I've gotten things right. I lie awake and critical, worry about writing a scene - really, the sending pages out to people who were in them, you know, which I do with anybody who's alive. But I don't know. Writing Essay? I'm just somebody who picks at and worries. I think - like a lot of memoirists, I had a tormented past and type of essay is langston hughes salvation, really started into this business, I think, to writing essay, scratch at and rout out the essay is real, truth of my less-than-perfect childhood. So I keep scratching - I'm just somebody who scratches and picks and worries the bone of things over tutorials and over homework help compare and over. Tutorials? So.
GROSS: Your mother is a song for me, such a - was such a complicated person. And in addition to having periods of profound mental illness, she also had a period where she was a reporter and columnist for writing essay, the local newspaper in Texas. And I'm wondering if she taught you the what of essay is langston salvation, importance of writing essay accuracy and memory. KARR: Oh, that's so interesting. I think the critical essay, fact that she was so well-armed meant I wouldn't lie about her (laughter). I mean, you think about my family - you don't really want to essay tutorials, make them mad at you.
GROSS: Do you mean armed. GROSS: . With a butcher knife, or armed with journalistic skills? (Laughter). KARR: No, I meant armed, you know, with a Smith Wesson. KARR: No. I mean, my mother tried to what type salvation, kill me with a butcher knife.
But she never shot at me. Writing Essay Tutorials? She shot at all her husbands that I ever knew. GROSS: Yeah, you've written about that. GROSS: So OK - so did she ever get angry with you for writing about her and for writing. GROSS: . About shooting at her husbands? KARR: She never did. The Crucible? I mean, what she said to me - I - first off, my mother was an outlaw in the core of her being. So she really didn't care about what people thought of writing tutorials her. And she said things like, well, hell, everybody knew about contrast, that. I mean, everybody did.
Everybody in the town knew about that. And she didn't really care about writing, people she didn't know. So no, I - truth be told, I never had anybody complain about anything I wrote about them, oddly enough. GROSS: In writing a memoir, you're choosing to the crucible essay, expose selected chapters of your life. You are in control of that narrative.
But the essay, people who you are writing about are not. Do you feel an obligation to protect people? Or do you feel like, no, my obligation is to the truth? KARR: You know, I'm sort of a - what, you know, a pathologist might call a really codependent person. Help Write? So I do worry a lot about the people I write about. Writing? And let me also say I mostly write about the crucible critical, people I love.
I'm not somebody, you know, who has to write about Nazis, say. Or I'm not writing about people I don't know that well or don't care about. So I feel obligated to maybe mention in passing if they didn't agree with my take on something. But I don't feel obligated to represent their point of view. So my sister loved our grandmother. And I wasn't nuts about her. And I mention in passing, you know, my sister would disagree with this, you know? But as I also said, my sister would only show me wetting my pants and sobbing quietly in writing essay, the corner or biting somebody. So I mention things in passing. And I also - I try not to the crucible essay, guess what people's motives are.
I - I mostly try to deal with what I see and what I do. I don't, say, you know, because my mother was blah, blah, blah, blah, blah, she stood over me with a butcher knife. Tutorials? I have no idea why she did it. GROSS: What is help for me, your obligation to the dead when you are writing about them and you can't show them the manuscript? You can't ask them if they mind something being published. Now, you could argue that they're dead, so it doesn't matter. You could also argue that you want to respect their memory and preserve their privacy even in death, especially if they're not, like, a famous figure and writing tutorials, this is, like, a biography that's important to history. It's just, like, someone you knew and cared about the crucible critical essay, who is writing tutorials, now dead. KARR: Well, that's only happened in one - you know, I mean, my father - my love for him was so enormous. I think he would've loved how I wrote about him. People tend to love how I write about them.
I mean, I've had people complain that I. GROSS: Is that because you're funny? KARR: I don't know. Type Of Essay Is Langston? Am I funny? Good for me. I have - that's one point for me. I think it's because I - again, I wouldn't spend time writing about somebody I didn't - I just thought was a despicable person, you know, other than my grandmother and a couple of pedophiles. Writing Essay Tutorials? I don't really - in all my books, I don't really - I'm not - you know, I'm my problem. KARR: You know, other people are not my problem. The Crucible Essay? I'm my problem. So when there's a jerk in the book, it's usually me.
I mean, I'm the one that I'm wrestling with. GROSS: You also write you have to be willing to writing essay tutorials, throw away pages and revise. You do a lot of revision. And when you were writing - was it Lit or Cherry? I think it was. KARR: It was Lit. GROSS: . Lit - that you threw away, like, 1,200 pages. Essay? I mean, that's. KARR: I threw away - yeah, I threw away 1,200 finished pages, pages I could have published that were publishable because they sucked.
There was something - it's not that I made stuff up, but there was something untrue about essay, them. GROSS: How do you deal with the pain of knowing that months or perhaps years of your work was going to be deleted by european competition, you because you felt you more or less had to writing tutorials, start over the crucible essay again? KARR: You know, I actually broke the delete button off my keyboard writing that book. And I always say, if I had any guts at all, I'd make a brooch out of it. So it was really hard when I threw all that away. I think I spent about four days in essay tutorials, my pajamas. I saw nobody but the curry guy. And I was just sobbing. And I - I thought, I have to sell this apartment and give the advance money back to philosophy essay is real, my publisher.
I just cannot do this. Essay? And then I washed my face and put on the crucible essay, my big-girl panties and started over, writing what I should've been writing from page one. So I find the truth is not - it's not that I had made up events. I was just writing about essay tutorials, stuff that wasn't emotionally resonant or important to me. Essay Competition? It was more - I was sort of telling, like, jokey, cute anecdotes about all these guys I dated in my 20s. Writing? And it - you know, it might've made a bunch of kind of medium-crummy magazine articles. But it would've been of no interest to any sane reader. GROSS: So what's the biggest change in direction that your final draft took compared to the 1,200 pages that you abandoned? KARR: Well, the one thing I wasn't going to philosophy essay, do, Terry - the writing essay tutorials, one thing I could never do - I couldn't write about my mother anymore. I mean, she had died, for one thing. But also, I just couldn't dine out anymore on stories of my mother.
And yet (laughter) there were all these stories to tell. And I was writing about the crucible critical, becoming a mother. And I thought it was going to writing essay tutorials, be a story the arc of which was something like I sought love from all these men I got engaged to. And one I married. Bibliography Tools? And I failed. Essay Tutorials? And then I found this perfect love with having this child, which, of course, I'm - you know, I'm nobody's example of a perfect mother. But - so instead, it was about how I had to make peace with my mother.
I had to write about my mother and what, my mother's ongoing craziness and her recovery, which led to my recovery, and her death. You know, I had to make peace with my mother to become a mother. Tutorials? So I just was avoiding it. I was like a dog staked to a pole. I just walked around and around and around it. GROSS: Your mother is such a complicated figure.
And one of the things you've written about with your mother is that as a teenager, you used to help write a song for me, drink with her. Essay Tutorials? And you'd both get really drunk. And I'm thinking what a strange bonding experience that probably was. For Me? What was it like to get drunk with your mother, when - I mean, she had a drinking problem. It wasn't like, let's have a nice drink. KARR: (Laughter) You think? GROSS: . Writing? And loosen things up, so we could have a heart-to-heart talk.
KARR: No. It was like, let's get baked and see if the philosophy, piano player will buy us drinks. KARR: No, I mean - no, it was - I was one of those kids at 17 or 18, one of tutorials those really neurotic, nail-bitey girls who says, my mother's my best friend. I mean - and, you know, she was writing - you know, she was also capable of really - you know, of great cruelty and was just not - you know, I loved my mother. I still love my mother. But she was not a super-nurturing human being, which is help a song, fine if she's not your mother. GROSS: Right (laughter).
KARR: It's a fine thing to be. Essay Tutorials? But when that's your mother and the only one you have, it's disheartening. So. GROSS: Did she initiate you into heavy drinking? Or were you already a drinker?
KARR: Oh, no. I mean, I was one of write those people - I think it was Paul Celan who describes, you know, taking a drink and feeling a sunflower open in his chest, you know? (Laughter) I was one of those people. I think I just have a taste for it. DAVIES: Mary Karr's new book, The Art of Memoir, is now out in paperback. After a break, she'll talk about her relationship with writer David Foster Wallace. And our film critic, David Edelstein, reviews the essay tutorials, remake of The Magnificent Seven. Bibliography Tools? I'm Dave Davies. And this is FRESH AIR. (SOUNDBITE OF MUSIC) DAVIES: This is writing, FRESH AIR. I'm Dave Davies, in for Terry Gross.
We're listening to Terry's interview with Mary Karr, author of the popular memoirs The Liar's Club, Cherry and Lit. Help Write A Song? Her latest book about essay, writing memoirs is now out in paperback. It's called The Art Of Memoir. Critical Essay? She's a professor of literature at writing essay, Syracuse University, where she teaches a class on the memoir. (SOUNDBITE OF ARCHIVED BROADCAST)
GROSS: You got sober in the late '80s. GROSS: And at bibliography, about that time - I think it was like a month after you had started being sober - you met David Foster Wallace, who was just going into essay tutorials, rehab. And you became very close. And you wrote about this in Lit - except when I read Lit, I didn't know that you'd written about this because you used the name David, not David Foster Wallace. And I suppose that the - I want to say schmatta (laughter), the headband - what would you call it? - that he had around his neck. A head. KARR: I called it a head hanky. GROSS: Head hanky, OK. KARR: His head hanky, yeah, and essay, his big boots. GROSS: Which, of course, he was famous for. And I suppose I should've put two and essay, two together.
But I didn't. And so I'm interested - since we've spoken about how to homework compare contrast essay, protect people or let them choose a pseudonym if they prefer, it seems like you played that one down the middle. Writing Essay? You didn't use a pseudonym, but you didn't use his full name either. KARR: Well, I did notify him as I was working on the book that I was planning to write about him. Homework Contrast Essay? He was alive. Essay Tutorials? And I let him know some of the essay, things I would cover. And I was hoping to send him pages, which - he killed himself before I was able to essay tutorials, do. So I did have a pseudonym for him. Philosophy Is Real? And then after he died, everyone who knew him and knew me knew it was him. So it seemed kind of disingenuous in some ways.
And I did figure, frankly - I did figure, well, he's dead already. And believe me. I was still, you know, really devastated as, you know, anybody who had ever cared about him was by his suicide. Anybody who had ever talked him out of killing himself was - you know, felt like a failure, obviously, and was devastated by that death. So (laughter) David was very kindly treated. There were a lot of - if I wanted to burn David's house down, I could have done that and chose not to. Essay? And I didn't really go into what it was like in any great detail to date him, except that it was tumultuous and very short-lived. GROSS: You do write one sentence in describing your fights. Bibliography Tools? You wrote, (reading) if David enters the mindset he calls black-eyed red-out, he's inclined to hurl all manner of writing objects. KARR: He was violent. I will - I mean, he was violent.
He became violent when he was angry. I'm not the only woman he was violent with. Write A Song? It was - it's common knowledge among women who dated him, you know, that he was violent. Tutorials? So we knew each other a long time. We were friends a long time. We got sober with a lot of the bibliography tools, same people. But the amount of time that we dated was very short. GROSS: But it sounds like he had asked you to get married and had your name tattooed on tutorials, his arm. KARR: He did ask me to bibliography, get - he did ask me to marry him.
He did get my name tattooed on his arm. Although, as I pointed out to him, it's not like my name was Lucinda, you know? KARR: You can always put blessed virgin above it, and it could be anybody. KARR: So I told him that because he didn't put Mary Karr, it was disappointing. Writing Essay Tutorials? But no, I mean - but he - David proposed to bibliography tools, everybody he dated that I know of. Everybody I ever met who dated David has - I have a - I probably have a ream of writing essay marriage proposals from David. Help Write A Song? It's not like he proposed to writing, me one time. It's like he proposed to me a zillion times. You know, it was like a campaign for him.
So before we were dating, he was proposing to me. I mean. GROSS: I'm wondering if you saw the film about him, The End Of The Tour, 'cause I know a lot of people who knew him feel like his privacy and his wishes were violated by the film because he didn't want celebrity. Help A Song? And he wouldn't have wanted to be portrayed in the film. And some of the. KARR: Let me correct something. KARR: David Foster Wallace wanted celebrity as much or more than any writer I've ever known. Let me just correct that. Writing? David didn't like going out and being at the center of scrutiny. Type Of Essay Hughes? But David's ambition - if he could've strafe-bombed the planet - which is also true for me, by the way. I'm not talking from the tutorials, other side of the street.
I think most writers want to sell as many books as they can sell. There's no - you write because you want readers. So believe me. I don't think David - I had to talk David out of doing a Gap commercial at one point because I said, you know, would Cormac McCarthy do it? KARR: You know, would Toni Morrison do it? GROSS: We've talked about what it's like for you to write about of essay is langston, people you're close with, including having written about David Foster Wallace.
Did he write about you in essay tutorials, a disguised form in any of homework compare contrast his fiction? KARR: He certainly did. He certainly did. He wrote about a lot of people in writing, disguised form. I mean, I read an excerpt of Infinite Jest where he used the names - the a song for me, real names - of people. And he used their stories in a way that I found very irresponsible. GROSS: Were these people who had been in essay tutorials, a recovery group with him? KARR: Yes, people who had been in a halfway house with him. They're people I knew well. And I saw them - I saw their stories. And I saw them excerpted in these kind of cartoony, grotesque ways.
And I was horrified. And even then, I sort of felt like, well, it's his book. It's none of my business. And then I met his editor, Michael Pietsch, at a party, and - right before Infinite Jest came out. And he said, you know, I now understand this character David wrote about critical essay, because she talks just like you, and she's from Texas, and blah, blah, blah, blah, blah.
And I really had a hard time. I thought about it. And I thought about it. And I prayed about it. I talked to a priest about essay tutorials, it. And then I called the editor. And I just called him on the phone 'cause we had mutual friends.
And I said, you know, these people in this excerpt are real people. Essay? And I'm not a litigious person. I'm not somebody who's going to sue anybody over a piece of fiction. It's none of writing essay my business. I don't care. But, you know, he could fix this. The Crucible? It's just not that hard. He could make this person blonde instead of brunette. He could make her from Arkansas or whatever. But you certainly shouldn't be using their real names. GROSS: If you're just joining us, my guest is Mary Karr.
She's the author of the memoirs The Liar's Club, Cherry and Lit. Essay? Now she's written a new book about bibliography tools, memoir writing. Writing? And it's called The Art Of Memoir. Mary, let's take a short break. Then we'll talk some more. What Of Essay Is Langston Hughes? This is FRESH AIR. (SOUNDBITE OF MUSIC) GROSS: This is essay tutorials, FRESH AIR. Type Of Essay Salvation? My guest is writing, Mary Karr. After writing three memoirs, including the bibliography, best-seller The Liars' Club, she's written a book about writing memoirs called The Art Of Memoir. When we left off, we were discussing the late writer David Foster Wallace, with whom she'd once been a couple.
She wrote about him, and he'd written about essay tutorials, her. David Foster Wallace took his own life. And he had attempted suicide previous times. The Crucible Essay? It seems to me you've been surrounded by more than an average amount of people who've taken their lives. Writing Essay? Your mother had tried to take her life. I think you took yourself to a hospital because you were thinking about european essay, suicide. You have friends who've committed suicide. Essay Tutorials? And. KARR: Right, it kind of what of essay is langston hughes salvation makes you wonder if I'm a bad influence in the world. GROSS: Well, yeah, what it makes me wonder is essay, how fragile you must think or must have thought life is.
I mean, to know as many people as you've known who've taken their own lives - it just opens the door to the real possibility of that in what is langston, a way that seems, to me, kind of frightening. For someone who once considered that, as you once did, to writing tutorials, know people who really walk through that door. GROSS: . That must be frightening in a way that it is critical essay, not frightening for people who've never entertained the idea of suicide. KARR: You know, I think I'm - I think when you grow up with people who are hurt and writing tutorials, unhappy and addicted and suicidal, you have an empathy for people who are hurt and help compare contrast, addicted. And you could call it a kind of codependence. Or you could just say, you know, you feel bad for writing tutorials, these people. Competition? And you - this - you know, I grew up trying to writing essay tutorials, cheer my mother up and trying to cheer myself up. And so yes, I mean, I - you know, I've written poems against suicide. I think suicide - maybe you have a terminal illness, and you decide to end your life to end your suffering.
And that makes perfect sense to me. But I think most suicidal people are killing the wrong people. I think (laughter), you know - I think it's a permanent solution to philosophy, temporary states of mind. So I know there are people who say, well, you know, David was suffering so miserably. And I know he was. And I do have empathy for that. But, yeah, I wish he hadn't done that.
I wish he hadn't done that. Tutorials? I think he'd be feeling better now if he hadn't done that. GROSS: Feeling better because conditions would have changed or medication would have been worked out better? KARR: I hope so. But, I mean, David flat-lined when he was - you know, before he was 21. So David tried to kill himself hard many times. Now, I'm not talking - I had a suicidal ideation. I never cut myself or overdosed or. GROSS: That means you thought about it. But you never really tried it. KARR: Right.
That is correct. GROSS: So just one more thing about David Foster Wallace. I'm grateful for you to be speaking some of your truth about him. Homework Essay? Does it make you uncomfortable to do that in tutorials, a public way because he can't tell his side of the story? KARR: Well, if he hadn't killed himself, he would've been able to. KARR: You know, I mean, no. I mean, he left himself to history. European Essay Competition? And I'm, you know, one of those who came after.
So I'd rather he be alive, phoning in, saying how full of horse dookey I am. KARR: But, you know, the other thing - I spent a lot of writing tutorials - I'm still kind of best friends with his best friend from college, the novelist Mark Costello, who's a great, great writer. And I talked to Mark a lot about David's portrait. And I sent him those pages. And I made a decision before I talked to David's biographer. European Competition? And, you know, I - it's - people have tried to buy my letters from David.
And I haven't yet sold them. So there's a lot of his darkness in there that's - I guess I am protective of in some way 'cause he was ill. GROSS: Right. So you've actually written a poem about essay tutorials, David Foster Wallace that - I'd love it if you read that for us. KARR: I will. I've written a couple of poems for David. This one was in The New Yorker.
It's called Face Down. (Reading) What are you doing on write a song for me, this side of the dark? You chose that side. And those you left feel your image across their sleeping lids as a blinding atomic blast. Writing? Last we knew, you were suspended midair, like an angel for a song, a pageant, off the room where your wife slept. She had to writing essay tutorials, cut you down, who'd been, I heard, so long holding you up. We all tried to, faced with your need, which we somehow understood and felt for and took into a song, our veins like smack. Writing Essay Tutorials? And you must be lured by that old pain, smoldering like wood smoke across the write for me, death boundary. Prowl here, I guess, if you have to bother somebody. Writing? Or better yet, go bother God, who shaped that form you despised from common clay. The light you swam so hard away from still burns like a star over a desert or atop a tree in a song for me, a living room where a son's photos have been laid face down for essay, the holiday.
GROSS: Wow. It seems to me like it's a poem that is expressing a certain amount of anger at him for having made that choice, for choosing that side. KARR: Yeah. European Essay Competition? And I've got to say, I did - you know, I did think of writing essay tutorials his wife and european essay competition, her having to find him and. GROSS: Find him after he was dead? KARR: After he was dead.
I just - I was haunted by that. Tutorials? She wrote about it. And I was haunted by that for philosophy is real, her. GROSS: OK. Writing Essay Tutorials? When you got sober in the late '80s, that's when you became, to your great surprise, a Catholic.
KARR: (Laughter) So stupid, isn't it? GROSS: (Laughter) And that - I think - do you feel that that continues to help you remain sober? KARR: No. I - well, I think my - I think I'm granted a kind of spiritual reprieve every day. So I think any spiritual practice helps you remain sober. But, you know, working with other drunks and talking to other drunks and essay, trying to live a little more scrupulously, looking at your own behavior and writing tutorials, trying to correct what you do wrong - you know, I think all those things help me to stay sober. GROSS: You've said that, to you, being Catholic is a set of activities. What are those activities for you? KARR: I pray. I pray a lot.
I'm somebody who has a big inner life. And for homework, most of my life, it had a lot of darkness in it. And for me, prayer is a way of essay standing in a light. It's no more complicated than that. Homework Contrast? So I pray both for people, and essay, I do something called the Ignatian exercises, which are a way of kind of looking, at help write a song, the end of every day, at that day and examining places where you saw God - you know, places where God was present for you. Writing Essay Tutorials? And if you do that every day over european competition a long period of writing time, you start to realize that the things you value, quote, unquote - the things that are supposed to help a song for me, be important to you - are often just not that important. And the writing essay tutorials, places that, really, are sustaining to you in a spiritual way are very surprising. They're not where you think they're going to be.
GROSS: I'm assuming you find prayer very sustaining and that you pray every day. Is there ever a day where you think, I'm just too busy? I'm not going to european competition, pray today? KARR: I pray all day. Essay? I mean, I pray a lot of the what type is langston hughes, day. I try to pray.
My instinct, Terry, is to kill everybody on the subway. KARR: That's my instinct. Writing Tutorials? If I didn't pray, I would be one of bibliography those mass - I know that I would just - I'm not a nice person. My - I'm not such a nice person. I grew up in a very complicated family. Writing Essay? And I have impulse control issues.
So, you know, I need prayer to keep myself awake in tools, the present. And it really becomes like, you know, that thing I said in essay, Memoir. You're projecting onto the landscape. For me, sort of bibliography tools getting quiet in the center of writing essay tutorials myself keeps me from projecting so much onto the landscape, I hope. I mean - so if I find myself getting ramped up or worried or irritated, you know, I will pray. I will start praying for somebody else. I have a list of people. What Of Essay Is Langston Hughes? I - sometimes, when I'm really irritated with my fellow New Yorkers - you know, when the air conditioning is writing, off in the subway car, I do this exercise where I start praying for every face I see. It's just - even rich people (laughter), you know, even praying for rich people in tools, New York because it helps me to stop thinking about myself and to essay, become more present to other people, you know? It's something I do for help compare contrast essay, myself, not to be nice but because otherwise, I would just be a shocking wreck.
GROSS: Mary Karr, I really so much enjoyed talking with you. Thank you so much for coming back to FRESH AIR. KARR: Thank you for writing tutorials, having me. It's been a hoot. Thanks. DAVIES: Mary Karr speaking with Terry Gross - recorded last year. Karr's latest book, The Art of Memoir, is out in paperback.
Coming up, David Edelstein reviews the remake of the classic Western The Magnificent Seven. This is FRESH AIR. Copyright 2016 NPR. All rights reserved. Visit our website terms of what is langston hughes salvation use and permissions pages at www.npr.org for further information.
NPR transcripts are created on writing essay tutorials, a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. European Essay Competition? This text may not be in its final form and may be updated or revised in the future. Accuracy and writing, availability may vary. The authoritative record of NPR’s programming is the audio record.
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ACT essay scores are inexplicably low, causing uproar among college-bound students. The inside track on Washington politics. *Invalid email address. Essay? Students work on a practice ACT test in this 2011 file photo. (AP Photo/The Enquirer/Patrick Reddy) Many students are in an uproar over a change to compare essay the ACT that has yielded what they call inexplicably low scores on the essay section of the nation’s most widely used college admission test. Controversy erupted soon after the ACT introduced a revised essay-writing task in September that is being graded for the first time on the same 36-point scale as the rest of the test. Essay Tutorials? Counselors across the country are complaining that many of bibliography, their top students, who routinely earn marks higher than 30 on other parts of the ACT, are getting writing scores in the low-to-mid 20s. “I know these kids well,” said Michele Hernandez, a college counselor based in Vermont. “There’s no way they should be getting scores that low on the writing. It’s obviously out of whack.” Some students dissatisfied with their writing scores have discovered a solution: They can pay ACT $50 to re-score their essay. Writing? Few take this step, but those who do will get their re-scoring fee refunded if ACT revises the score upward, ACT spokesman Ed Colby said. A Song For Me? One Rhode Island student took the ACT in September, getting a 19 on the writing section and writing essay 30s on the rest of the test. “He’s a pretty good writer,” one of this student’s parents said. “I thought the european essay competition, 19 was odd.” The student asked for a re-score and was rewarded with a huge bump, to 31.
There was no explanation for what the parent called a “very dramatic” change. “I was a little disconcerted.” This parent and some affected students spoke with The Washington Post on tutorials, condition of anonymity to maintain their privacy in the college application process. Colby said ACT receives a tiny number of requests for re-scoring — 300 out of nearly 4.3 million tests administered in the last school year. Homework Compare Essay? “It’s a very small number of students who use it, and most of tutorials, them do not receive a score change,” he said. ACT officials acknowledge that essay-writing scores are trending lower than scores in English, reading, math and science, but they say that scores in one subject aren’t meant to be directly comparable to those in another. “We urge students to understand that a particular score on the ACT Writing Test doesn’t mean the same thing as a score on any of the tools, other ACT tests,” Colby said. “And colleges understand this.” The ACT essay is an optional 40-minute writing exercise offered after 2 hours and essay tutorials 55 minutes of multiple-choice assessment in English, reading, math and science. Before September, the ACT gave students 30 minutes to compose an essay taking a position on a given issue, with the writing graded on european essay, a scale of 2 to writing essay 12. The new essay requires students to “develop an argument that puts their own perspective in dialogue with others” in response to a contemporary issue. A sample topic on the ACT website is the influence of “intelligent machines.” Many colleges don’t require the critical, essay for students who take the ACT. But a number of selective schools, from Harvard and Princeton to the University of California, do require it. Typically, more than half of all ACT test-takers answer the essay question. The essay score doesn’t factor into writing essay, the overall composite score, which is often considered the most crucial takeaway from an admissions test.
One 16-year-old from the suburbs of Chicago said he took the test in October and got a 36 on each of the four required portions of the ACT. Those top marks ordinarily would be cause for celebration. But his writing score, he said, was a 23. “I was expecting in the very worst case maybe a high 20 score,” he said. “It really took me aback. It bothers me.” A 17-year-old who grew up in Washington, D.C., and attends a New England boarding school said he took the ACT in December, earning a composite score of 31 but a writing score of 23. “I was surprised,” he said. “I consider myself a pretty good writer.” Responding to numerous questions, ACT officials recently published an explanation of their essay scoring. It said that two trained graders read each essay, using a rubric to assign points in four categories: ideas and analysis; development and support; organization; and language use and conventions.
A third reader can step in to settle differences. The ACT analysis showed that grades varied significantly among the five subjects on the overall test. The top 5 percent of students scored 32 or higher in critical essay, English and reading. Writing Tutorials? But they scored 30 or higher in math and science. Essay What Is Real? And their scores were lower still in writing: 27 to 28 or higher. Students “are only beginning to get experience with the writing tutorials, new writing prompt,” the tools, analysis said. “Research suggests that as students become increasingly familiar with the writing tutorials, new prompt, scores may increase and users will better understand the homework help contrast, distribution of scores and how they correspond to the percentiles and predicted success in college.” The controversy comes amid flux in the national testing landscape. The ACT recently overtook the essay tutorials, SAT as the nation’s most widely used test, though the essay competition, SAT remains more popular in the Washington region and many other markets.
The College Board is writing essay scheduled to debut a new version of its SAT next month, when for the first time since 2005, the competition, SAT’s essay will be optional and tutorials the overall top score will be 1600. The College Board overhauled the writing prompt, too, seeking to tools beef up the essay tutorials, analytical task. How much colleges care about the hughes salvation, ACT essay or the essay, SAT essay is an open question. Of 539 schools that the College Board tracks, 426 will neither require or recommend that students take the SAT essay when the bibliography tools, new version debuts. Among them are the public flagship universities of Virginia and Maryland, as well as Columbia University and writing essay the University of Pennsylvania in the Ivy League. Several highly regarded schools, including Columbia, U-Penn. and U-Va., also are dropping ACT essay requirements. U-Md. said its longstanding policy has been to not require the ACT essay. John McLaughlin, an associate dean of admissions at type is langston hughes salvation U-Penn., said any essay scores that are submitted will get evaluated along with the writing essay, rest of an application.
He said most admitted students who took the homework help, ACT have composite scores of 32 or higher. Asked about the tutorials, flap over essay the ACT essay and perceived scoring mismatches, he said: “I can understand the writing essay tutorials, unease.” But McLaughlin emphasized that admission officers take a student’s entire record into account. “It’s our job to get beyond these numbers.”
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complete resume Ryerson Image Centre, Ryerson University, Toronto, ON, Canada “The Edge of the writing tutorials Earth: Climate Change in tools Photography and Video,” selections from tutorials, Midway: Message from the Gyre (September 14 - December 4, 2016) Horace Mann School, Bronx, NY (April 4 - 23, 2016) selected works. Amarillo Museum of Art, Amarillo TX “Chris Jordan: Running the essay Numbers” (October 23, 2015 - January 3, 2015) Sophie Gannon Gallery, Melbourne, Australia, April 2015, “Chris Jordan (USA)| Intolerable Beauty: Facing the tutorials Mirror of Mass Consumption” Bryan Oliver Gallery, Whitworth University, Spokane, WA “Running the compare contrast essay Numbers” Julian Scott Memorial Gallery, Johnson State College, Johnson, VT, “Midway: Message from the essay tutorials Gyre” University of write a song for me Michigan, Ann Arbor, MI, “Chris Jordan: Running the Numbers” Science Museum of essay Virginia, Richmond, VA, “Chris Jordan: Running the compare contrast essay Numbers” Art Center Sarasota, Sarasota, FL, “Running the Numbers: Portraits of Mass Consumption”
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Armory Center for the Arts, Pasadena, CA. Lannan Foundation Gallery, Santa Fe, NM. Paul Kopeikin Gallery, Los Angeles, “In Katrina’s Wake” Museo Circulo de Bellas Artes, Photo España Festival, Madrid, Spain. FotoPhoto Festival, Cesano Maderno, Italy. Paul Kopeikin Gallery, Los Angeles, “Intolerable Beauty” Yossi Milo Gallery, New York. Photographic Center Northwest, Seattle WA. Clotworthy Arts Centre, Antrim, Ireland. Ryerson Image Centre, Ryerson University, Toronto, ON, Canada “The Edge of the Earth: Climate Change in Photography and Video,” selections from essay tutorials, Midway: Message from the european essay Gyre (September 14 - December 4, 2016) Appleton Museum of Art, Ocala, FL “Survival Architecture,” selections from In Katrina’s Wake: Portraits of an tutorials Unnatural Disaster (September - November 2016)
Honolulu Museum of european competition Art, Honolulu, Hawaii, “Plastic Fantastic?” selections from the series Midway: Message from the Gyre (February 3, 2016 - July 10, 2016) FotoFest 2016 Biennial, Houston, TX “Changing Circumstances: Looking at the Future of the Planet” selections from Midway: Message from the essay tutorials Gyre (March 2016) KYOTOGRAPHIE International Photography Festival, Kyoto, Japan, selections from the series Midway: Message from the what type is langston Gyre (April 23 - May 22, 2016) ZKM Karlsruhe, Karlsruhe, Germany “Globale - Exo-Evolution,” selections from the series Midway: Message from the Gyre (October 30, 2015 - February 28, 2016) Peabody Essex Museum (PEM), Salem, MA, “Sizing It Up: Scale in writing essay Nature and essay competition Art” (October 10, 2015 - September 18, 2016) Lianzhou International Foto Festival, Lianzhou, China, selections from the writing essay series Midway: Message from the essay competition Gyre (November 21 - December 10, 2015) Peabody Essex Museum (PEM), Salem, MA “Sizing It Up: Scale in tutorials Nature and Art” (October 10, 2015 - September 18, 2016) Venice Biennale, Official Azerbaijan Pavilion, “Vita Vitale” VERVE Gallery of Photography, Santa Fe, NM “Cause Effect”
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The Field Museum, Chicago, IL, “Nature’s Toolbox: Biodiversity, Art and essay Invention” Anchorage Museum, Anchorage, AK, “True North” Hong Kong Convention and Exhibition Center, Hong Kong, Prix Pictet Growth Shortlist Exhibition. University of Technology, Eindhoven, Netherlands, Prix Pictet Growth Shortlist Exhibition. Nesrin Esirtgen Collection, Istanbul, Turkey, “No. Philosophy Essay What Is Real? 1” Ayyam Gallery, Beirut, Lebanon, Prix Pictet Growth Shortlist Exhibition. The Empty Quarter Gallery, Dubai, Prix Pictet Growth Shortlist Exhibition. Dublin Museum of Photography, Ireland, Prix Pictet Growth Shortlist Exhibition.
Museum of Photographic Arts, San Diego, CA, “Infinite Balance: Artists the writing Environment” St. What Type Hughes? Louis Artist’s Guild, Clayton, MO “Running the writing Numbers: Photographs by Chris Jordan” Corcoran Gallery of tools Art, Washington, DC, Prix Pictet Growth Shortlist Exhibition. Real Jardin Botanico, Madrid, Spain, Prix Pictet Growth Shortlist Exhibition. Roundhouse Mews, Vancouver, Canada, “The Ocean in writing essay tutorials Us”, Safe Planet Exhibit. Nevada Museum of the crucible critical essay Art, Reno, NV, “The Altered Landscape: Photographs of writing a Changing Environment” Arteversum, Dusseldorf, Germany, Prix Pictet Growth Shortlist Exhibition.
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